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Beardsley's self portrait is quite recognizable as the style he used in most of his work, with a strong contrast and use of positive and negative space. The black of the bed curtains balances the white of the sheets and background, creating a strong flat area that nonetheless expresses the shapes of the folds of the fabric through its outline. The white rounds of flowers maintain an even pattern, and their shape mirrors that of both the tassels of the bed as well as the folds of fabric atop Beardsley's head. Within the white negative space, Beardsley uses a minimum of fine line to articulate the remaining shapes of his bed, his pillows, and himself. That he is so dwarfed by his bed and pillows suggests again the toll that his chronic disease took on him.
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